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Greengates (1 of 1)

Greengates, Holmfirth

Greengates is the fourth in a series of recent paintings exploring a more fluid approach utilising both oil and acrylic. The starting point for Greengates was an unloved oil landscape partially sanded back which provided an almost abstract texture to work on. Atmosphere and composition was then created quickly utilising acrylic and ink and finally enhanced by oil. The painting was finished with satin varnish.

The painting is framed and available for purchase at Enjoy Art Gallery based in Marsden. Other works in the series include: Pennine Sunset, Neighbour and Holiday Home all of which are currently available through my Artfinder shop.

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Pennine Sunset

And finally, inspiration this month comes from The Lumineers who recently played an amazing sold out show at the very excellent Albert Hall in Manchester (not to be confused with the Royal version).

The Lumineers – Ophelia

 

Power Lines

I was disappointed that the anesthetist didn’t ask me to count to ten so that I could try to beat the drugs so instead I focused on the clock directly in front of me as I felt the familiar sharp scratch on the back of my hand. It was ten past nine exactly as I began to count the seconds. I think I got to seven before they pulled the tube from my throat and offered some more oxygen. It was ten to ten. A heavily bandaged knee gave the game away – the operation was done and so, hopefully, was two years of increasing pain and decreasing miles.

It turns out a pesky little bit of bone (now gone) and a twangy little Plica – no neither had I – (also now gone) had been the root cause of my ever increasing vicarious lifestyle over the past couple of years.

Whilst I don’t often blog bout walks and adventures – there are far more better blogs out there already, see Mark Kelly’s excellent halfwayhike for instance – they do remain the backbone of this blog (title, clue) and the source of inspiration for much of my creative work. So it’s fair to say that I’ve been getting a little grumpy and not being that productive.

Hopefully a course of physiotherapy should deliver me back on to the hills by late autumn. In the mean time I’m using the time to finally get to grips with Lightroom – I still miss the old darkroom techniques – and for the first time in over twenty years I’m exhibiting photographic work alongside some excellent photographers from the Marsden Photographic Group. The exhibition runs throughout July at Marsden Mechanics Hall. For those unable to make the show both my prints, Power Lines and Crosby Sands are also available through the excellent photo4me.com site where you can purchase the images as canvas and framed prints.

I’m also delighted to be part of holmfirthartweek which runs from the 5th to the 11th of July by exhibiting two brand new paintings in the main exhibition. This is the first time I’ve exhibited in the main hall during art week so apart from not being able to walk, the last couple of weeks have been very exciting. News of the paintings which I’m displaying are on my Facebook page here, facebook.com/davidcoldwellart.

Whilst I usually like to finish by pointing towards some music that I think all the world should hear, this post is a little different. In the wake of Kanye’s performence at Glanstonbury I couldn’t help thinking that, from an armchair point of view, this year’s festival was missing something. I then came across this video which somehow seemed to fill the gap.

Pass the headphones, Michael. This month’s choice is inspired by the announcement that one of my favourite small venues, the very brilliant Picturedrome at Holmfirth, will be hosting Kristin Hersh and her band Throwing Muses later in the year.

Your Ghost comes from Kristin Hersh’s 1994 debut solo album, Hips and Makers and features Michael Stipe of R.E.M. on backing vocals. The album was in stark contrast to Throwing Muses, featuring primarily acoustic songs with Hersh playing mainly unaccompanied. It is stunning so sit back and enjoy.

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